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At Midnight I'll Take Your Soul (1964) Dir: José Mojica Marins Cast: José Mojica Marins, Magda Mei, Valéria Vasquez, Robinson Aielo Not Rated, Approx: 81 Minutes Fantoma DVD
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aka-A Meia-Noite Levarei Sua Alma
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Thought-provoking and highly entertaining, this philosophic horror film is a must see!
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This is regarded as the first horror film to come out of Brazil. What a way to start! This is a primitive and savage masterpiece. Jose Mojica Marins (aka Coffin Joe) directs and stars as Ze do Caixao (Jose of the Grave), an atheistic undertaker who terrorizes a small Brazilian town. In tone and style this film most resembles the Tales From the Crypt comics of the 50s and has also been compared to the works of Luis Bunuel.
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Ze has an existential attitude that is very disturbing to the town (and potentially to the viewer, depending on your stance on the subject). He believes only in his own freedom and sees the townspeople as weak for being slaves to their own superstitions and religious beliefs. Ze is similar to Nietzsche's Zarathustra in that he is beyond seeing good and evil, only maximizing the potential of his own personal freedom. He sees himself as better than the others; therefore his actions are justified in his eyes.
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What really makes this film outstanding is the sincerity to which Marins approaches the subject matter. One of the most tiring things that I see in contemporary films is how they retread the same areas spouting the same message in the same way. Not that some aren't sincere (and some are quite good) but some overall themes are continually done in the same matter to the point of exhaustion. I know by now that racism is bad (put simply) yet countless films will come out reiterating the same idea with no new twist or idea. This is where Marins shines, not that these atheistic themes of personal freedom and believing only in what you can see are new by any stretch but they are approached with a stunning sincerity. It has the genuine feel of someone discovering and coming to terms with a specific way of thinking. Through the almost child like clarity of the philosophy the viewer is given free reign to interpret and evaluate the message. It's plain to see the merits of his thoughts (through the foolish behavior of the townfolks) but equally represented are his flaws (prophetic curses coming to light etc.). Through this manner of storytelling the viewer is forced to evaluate their own beliefs free of the pretensions of most 'art' films.
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That being said, there is still a highly entertaining and gory (for 1963) story underneath it all. As stated earlier, Ze is terrorizing the small Brazilian town of Sao Paulo. When he finds that his wife can not give him a child he immediately disposes of her in a most sinister way (he gags her and turns a poisonous spider on her, all the while watching gleefully). He then turns his attention to his only friend's wife. Unfortunately for his friend, Ze does not value the convention of friendship and offs him without a second thought. When his wife finds out she resists Ze, who then proceeds to rape her. When she finds she is pregnant she kills herself and curses Ze, stating that he will never be able to continue his bloodline. Ze is determined to continue his bloodline; since he believes only in life a child is the only way for him to continue after he dies.
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We are also treated to more of Ze's dealings with the town people. At one point he goes a local bar and intimidates the clientele. When one man stands up to him he promptly has his fingers severed with a broken bottle (this is shown in lingering, gory detail). Ze does appreciate the man's bravery and says that he'll pay for the man's treatment.
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Ze then sees another woman who would make an adequate child bearer; she is alone and apparently has no concrete religious views. Unfortunately, she is trying to walk through the cemetery to her aunt's house on The Day of the Dead. None of the town people are willing to escort her, so Ze seizes the opportunity and goes with the young woman. When he walks back alone though, his beliefs are put to the test as he begins to hear sounds (possibly voices) and see things. The film climaxes with a resoundingly satisfying and thought provoking conclusion.
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Coffin Joe has become quite an underground horror icon, working his way into several other films, TV shows, radio programs, comic books, and popular songs. Marins' portrayal of Joe has led to several other films that involve the character but only one other that actually continues his story (This Night I'll Posses Your Corpse). Marins envisions the story as a trilogy though, and has proposed a third part to it. Unfortunately it has never been able to get through the development stages (though, not from lack of trying on Marins' part). In his excellent book Mondo Macabro, Pete Tombs describes the plot of the third tale:
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"...Ze takes LSD and imagines himself being flushed down a toilet. He emerges in Purgatory, where a Christ-like figure emerges and leads him to the shore of a huge yellow lake. In fact, they are inside the human body. Ze enters the testicles and through intercourse passes to the female womb where he witnesses "the wedding of the King and the Queen - the beginning of life..."
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Not only is this film excellent on its own merits, but when combined with his other works one can't help but consider Marins a true autuer. Marins predates Wes Craven's New Nightmare in his treatment of the nightmare of Ze as a cultural icon (actually there are many parallels between Ze and Freddy Krueger). Several films of his deal with the effects of a horror icon and horror in general on society. Most interestingly is his creation that is a polar opposite to Ze, a Christ-like character called Finis Hominis (translates to 'the end of man'). Finis Hominis was once again played by Marins. Instead of covering himself head to toe like Ze, For Finis Marins presented himself naked, hiding nothing from the world around him. Finis was featured in two films (Finis Hominis and Quando os Dueses Adormecem - When the Gods Fall Asleep). Finis escapes from an asylum and begins a quest to awaken the joy of life in people of people who no longer see the importance of God in the world. He announces in the film, "the true miracle is the existence of mankind." Both films follow a similar storyline and conclude with Finis returning to the asylum. So if "At Midnight" doesn't give you enough to chew on, Marins' body of work should do the trick.
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The saddest fact about Marins' work is the sloppy distribution. Still the majority of his work is very inaccessible to genre fans. Most can be found at Cinebizarre though. Recently though, Image Entertainment has presented genre fans with a special treasure - deluxe editions of three of Marins' most well known films! Included are At Midnight I'll Take Your Soul, This Night I'll Possess Your Corpse, and Awakening of the Beast. All three of these are superb packages and come with my highest recommendations. They all contain transfers that look as good as they ever will (letterboxed 1.66:1 in Portuguese with optional English subs), trailers for all three films, a Coffin Joe comic reproduction, and most amazingly a recent interview with Marins' on the making of the feature presented!
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5 evil philosophers out of 5!
review by Dr. Spector 2/9/02
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